
Compositions
For score purchases and rentals, please contact Alvin Leung by email (alvinleungph@gmail.com), or clicking the "Get in Touch" button on the top right-hand corner.
Orchestral / Large Ensemble:
Elegaic Ecstatic (2023), 8:00 - for orchestra
Three Poisons (2020), 6:30 - for orchestra
Swing and Swirl in the Saha World (2020), 6:00 - for 38-player Chinese ensemble
Flyer II (2019), 6:30 - for piano and chamber orchestra
A Labyrinth of Rays (2019), 6:30 - for symphony orchestra; co-written with Prof. Wendy Lee, Alvin Wong and Kev Wong
Migrations (2018), 17:00 - for 15 musicians
Between the Virtual and the Actual (2018), 5:00 - for Chinese plucked strings and percussion instruments
Come along this way, go along that way (2014), 3:00 - for chamber orchestra
Chamber (acoustic):
Hyperbolic Pyrotechnic Acrobatics (2023), 8:00 - for string quartet
Distance (2023), 6:00 - for flute, clarinet and piano; commissioned by Ensemble Fioritura
Obsessively Glittery (2023), 3:30 - for two toy pianos
Streamscape (2023), 5:00 - for saxophone quartet
Surrender (2022), 10:00 - for flute, cello and piano
Hazy Moonlight Night (2021), 10:00 - for baritone, alto saxophone, guitar, 2 mandolins and left-hand piano; commissioned by HKCG
Marshmallow Dusktime (2021), 5:30 - for bass clarinet and marimba
Homeseeker (2021), 14:00 - for alto saxophone and piano
A Mystical Maze (2020), 2:30 - for piccolo, bass clarinet, alto saxophone, trumpet, horn and trombone; commissioned by the Albireo New Music Collective
Anyone Here? (2020), 7:30 - for string quartet
Vespertine Visions (2020), 4:30 - for flute duo
Gulu Guru (2019), 6:00 - for alto recorder and water percussion
Nill and Void (2019), 3:30 - for sheng, zheng, cello and drum set
Prelude to the Afternoon of a Nerd (2019), 7:30 - for clarinet, cello and piano
Lake Ad Excellentiam Sketch (2019), 6:00 - for alto saxophone and Chinese plucked strings
Melancholie (2018), 7:30 - for piano trio
Martial Arts Contest on Mount Hua (2018), 5:00 - for woodwind quintet
Wandering Frog (2018), 3:00 - for xiao, zhongruan, guqin and erhu; commissioned by CUHK Art Museum
Caress (2018), 10:00 - for soprano saxophone, violin and piano
Vain (2018), 4:40 - for flute and piano
Consolation (2017), 5:30 - for violin and viola
Deep Blue Heart (2017), 10:00 - for alto saxophone, viola and piano
3 Nocturnes (2017), 6:00 - for alto recorder and piano
Brightened (2017), 5:00 - for saxophone, pipa, percussion, erhu and cello
Long Night, Short Dreams (2016), 5:00 - for saxophone octet
Shazam! (2015), 6:00 - for chamber octet
Hyper Dance (2014), 5:00 - for string quartet; cello quartet version available
Solo (acoustic):
To the Arrival of Winter (2016, rev. 2022), 6:30 - for piano
November Night (2022), 7:30 - for harp
And All That Jazz Hands... (2022), 4:00 - for rubber gloves
Tyrannical Typhoon (2022), 4:00 - for baritone saxophone; commissioned by Alvin Wong
Ashes of Memories (2022), 5:00 - for organ
Awakening, or Dreaming, as Chuang Tzu, or a Butterfly (2021), 10:00 - for piano
Muted World (2020), 5:00 - for piano
Instinctive Movement (2020), 1:30 - for cello
In the Name of Peace (2020), 3:30 - for flute
I Am Washing My Hands In A Room (2020), 2:00 - for voice, soap and a bowl of water
Suffocating Sweetness (2020), 4:00 - for clarinet
Instrument(s) with electronics:
Plus-minus-two To Infinity (2022), 8:00 - for shō, soprano saxophone and live electronics
A Baby's Breath of Fresh Air (2020), 7:00 - for voice and live electronics
Escalating Ecstasy (2020), 3:00 - for MIDI controller and electronics
Post-Apocalyptic Dawning (2020), 5:15 - for multi-track voice and fixed media
Infinity Net II (2020), 4:00 - for snare drum and fixed media
Theatrical Works:
Nocturnal Angels (2020), 17:00 - a micro-opera for three female singers and piano
Voyage of Voice (2018-2019), 20:00 - a choral drama for chamber treble choir, chamber SATB choir, string quartet and piano; commissioned by Hong Kong Elite Chamber Orchestra
Audiovisual:
Shift (2023), 0:40 - for video and fixed media; in collaboration with Jae-Eun Suh
from:/to: home (2022), 7:38 - for video and fixed media; in collaboration with Jae-Eun Suh
Trans-Crypted Memory: A Transhumanist Techno-Pop Opera (2022), 9:45 - for video and fixed media; in collaboration with Christine Drake-Thomas
Manipul(able) (2021), 5:20 - for video and fixed media
Fixed media:
Variations on the Evolution of the Sky (2023), 7:28 - for stereo fixed media
Musical Chairs (2022), 9:06 - for 8-channel fixed media
Infinity Net (2020), 5:12 - for stereo fixed media
Terror Unraveled... Love Undefended. (2019), 7:18 - for stereo fixed media
Instant Noodles Daydream (2019), 3:00 - for stereo fixed media
Choral / Vocal:
Rain Fragments (2020), 5:00 - for SATB a cappella with beatboxing
Perhaps (2019), 6:00 - for SATB choir and piano
Wooden Heart (2019), 12:00 - for baritone and piano
A Hundred Kinds (2018), 5:00 - for SA choir and chamber orchestra; theme song for PLKCLSCMC 40th anniversary
Narcissus by the Water (2018), 6:00 - for overtone singing and tenor recorder
Tears of Separation (2017), 4:00 - for SATB choir, string quartet and piano
Freefall, For Free? (2016), 6:00 - for baritone, clarinet, violin, cello and piano
Remember (2016), 3:00 - for chamber orchestra and SA(T)B choir
Dance:
Cyclic Hiatus (2021), 7:00 - for dance, piano and fixed media; in collaboration with Katie Gutmann
Pop:
Magic Mirror (2020)
I Write What I Want Series 隨便寫隨便錄隨便唱 (2020)
Gate to Light 通往光的門 (2019)
Joyful Journey 愉悅的旅程 (2019)
Brand New Year 新一年 (2019)
Unconnected Call 未能接通 (2018)
Looking Back 回眸 (2018) (Cantonese version of Tears of Separation)
Road 路 (2017)
Tears of Separation 離人淚 (2017); lyrics by Jojo Siu