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Graduation Concert 2019

Compositions


For score purchases and rentals, please contact Alvin Leung by email (alvinleungph@gmail.com), or clicking the "Get in Touch" button on the top right-hand corner.

Orchestral / Large Ensemble:

Elegaic Ecstatic (2023), 8:00 - for orchestra

Three Poisons (2020), 6:30 - for orchestra

Swing and Swirl in the Saha World (2020), 6:00 - for 38-player Chinese ensemble

Flyer II (2019), 6:30 - for piano and chamber orchestra

A Labyrinth of Rays (2019), 6:30 - for symphony orchestra; co-written with Prof. Wendy Lee, Alvin Wong and Kev Wong

Migrations (2018), 17:00 - for 15 musicians

Between the Virtual and the Actual (2018), 5:00 - for Chinese plucked strings and percussion instruments

Come along this way, go along that way (2014), 3:00 - for chamber orchestra

Chamber (acoustic):

Hyperbolic Pyrotechnic Acrobatics (2023), 8:00 - for string quartet

Distance (2023), 6:00 - for flute, clarinet and piano; commissioned by Ensemble Fioritura

Obsessively Glittery (2023), 3:30 - for two toy pianos

Streamscape (2023), 5:00 - for saxophone quartet

Surrender (2022), 10:00 - for flute, cello and piano

Hazy Moonlight Night (2021), 10:00 - for baritone, alto saxophone, guitar, 2 mandolins and left-hand piano; commissioned by HKCG

Marshmallow Dusktime (2021), 5:30 - for bass clarinet and marimba

Homeseeker (2021), 14:00 - for alto saxophone and piano

A Mystical Maze (2020), 2:30 - for piccolo, bass clarinet, alto saxophone, trumpet, horn and trombone; commissioned by the Albireo New Music Collective

Anyone Here? (2020), 7:30 - for string quartet

Vespertine Visions (2020), 4:30 - for flute duo

Gulu Guru (2019), 6:00 - for alto recorder and water percussion

Nill and Void (2019), 3:30 - for sheng, zheng, cello and drum set

Prelude to the Afternoon of a Nerd (2019), 7:30 - for clarinet, cello and piano

Lake Ad Excellentiam Sketch (2019), 6:00 - for alto saxophone and Chinese plucked strings

Melancholie (2018), 7:30 - for piano trio

Martial Arts Contest on Mount Hua (2018), 5:00 - for woodwind quintet

Wandering Frog (2018), 3:00 - for xiao, zhongruan, guqin and erhu; commissioned by CUHK Art Museum

Caress (2018), 10:00 - for soprano saxophone, violin and piano

Vain (2018), 4:40 - for flute and piano

Consolation (2017), 5:30 - for violin and viola

Deep Blue Heart (2017), 10:00 - for alto saxophone, viola and piano

3 Nocturnes (2017), 6:00 - for alto recorder and piano

Brightened (2017), 5:00 - for saxophone, pipa, percussion, erhu and cello

Long Night, Short Dreams (2016), 5:00 - for saxophone octet

Shazam! (2015), 6:00 - for chamber octet

Hyper Dance (2014), 5:00 - for string quartet; cello quartet version available

Solo (acoustic):

To the Arrival of Winter (2016, rev. 2022), 6:30 - for piano

November Night (2022), 7:30 - for harp

And All That Jazz Hands... (2022), 4:00 - for rubber gloves

Tyrannical Typhoon (2022), 4:00 - for baritone saxophone; commissioned by Alvin Wong

Ashes of Memories (2022), 5:00 - for organ

Awakening, or Dreaming, as Chuang Tzu, or a Butterfly (2021), 10:00 - for piano

Muted World (2020), 5:00 - for piano

Instinctive Movement (2020), 1:30 - for cello

In the Name of Peace (2020), 3:30 - for flute

I Am Washing My Hands In A Room (2020), 2:00 - for voice, soap and a bowl of water 

Suffocating Sweetness (2020), 4:00 - for clarinet

Instrument(s) with electronics:

Shadow Emerges at the End of Endless Darkness (2023), 5:30 - for piano and live electronics

Plus-minus-two To Infinity (2022), 8:00 - for shō, soprano saxophone and live electronics

A Baby's Breath of Fresh Air (2020), 7:00 - for voice and live electronics

Escalating Ecstasy (2020), 3:00 - for MIDI controller and electronics

Post-Apocalyptic Dawning (2020), 5:15 - for multi-track voice and fixed media

Infinity Net II (2020), 4:00 - for snare drum and fixed media

Intermedia:

Imaginary Boyfriend (2024), 46:49 - for voice, electronics, video and theatrics; film version and 10-minute set also available

Manipul(able) (2021), 5:20 - for video and fixed media

Collaborative:

Shift (2023), 0:40 - for video and fixed media; in collaboration with Jae-Eun Suh

from:/to: home (2022), 7:38 - for video and fixed media; in collaboration with Jae-Eun Suh

Trans-Crypted Memory: A Transhumanist Techno-Pop Opera (2022), 9:45 - for video and fixed media; in collaboration with Christine Drake-Thomas

Cyclic Hiatus (2021), 7:00 - for dance, piano and fixed media; in collaboration with Katie Gutmann

Fixed media:

Flannel (2023), 2:55 - for stereo fixed media; based on recordings by pianist Chun-Syuan Wei upon collaboration

Variations on the Evolution of the Sky (2023), 7:28 - for stereo fixed media

Musical Chairs (2022), 9:06 - for 8-channel fixed media

Infinity Net (2020), 5:12 - for stereo fixed media

Terror Unraveled... Love Undefended. (2019), 7:18 - for stereo fixed media

Instant Noodles Daydream (2019), 3:00 - for stereo fixed media

Choral / Vocal:

Rain Fragments (2020), 5:00 - for SATB a cappella with beatboxing

Perhaps (2019), 6:00 - for SATB choir and piano

Wooden Heart (2019), 12:00 - for baritone and piano

A Hundred Kinds (2018), 5:00 - for SA choir and chamber orchestra; theme song for PLKCLSCMC 40th anniversary

Narcissus by the Water (2018), 6:00 - for overtone singing and tenor recorder

Tears of Separation (2017), 4:00 - for SATB choir, string quartet and piano

Freefall, For Free? (2016), 6:00 - for baritone, clarinet, violin, cello and piano

Remember (2016), 3:00 - for chamber orchestra and SA(T)B choir

Opera:

Nocturnal Angels (2020), 17:00 - a micro-opera for three female singers and piano

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